Artist Page: Agalloch

I don't really know what to think of this album... the band continues on the same post metal sound, this time less bleak and repetitive than on The Mantle, and the music is really good here... but unfortunately the vocals are horrible. There are less clean vocals, and when the singer uses harsh vocals (that is on every track except the three instrumentals), it's unfortunately some really ugly gurgling voice...

A beautiful album from start to finish, with my only issue being my tendency to skip A Desolation Song, which is a bit too folky for me at times. Regardless, the rest of the album definately makes up for it.

This is a wonderful album. Dark, relaxing, poetic, full of folkish influences... very fascinating. It would have been a masterpiece but unfortunately the (harsh, black metal-like) vocals are not of the same quality as the music and they often feel out of place.

The crowning achievement of Agalloch's career.

I must admit that at one point I disliked or, to say it more precisely, didn't understand Agalloch's music. The musicianship seemed primitive to me and I found the songwriting lazy. Still, during those times I could feel that this is music that requires a certain approach, or perhaps I was into different aesthetics at the time and it wouldn't impress me. My respect for the four musicians of this extraordinary group appeared when I re-listened to Pale Folklore in summer, of all seasons. Was it the perfect time to listen to that specific album or had it just grown on me and clicked just then I can not say, but the fact is that the group's not so immense catalogue took an important place in my music diet. Their last album - The Mantle - was released in 2001, which was a long time ago, and it was intimidating that everyone would have to wait five years until the next ... -> show full review

A decent album, although I must admit that I don't understand how others can think of it as a masterpiece, I do understand how someone could like this album much more than I do. It's really repetitive, mostly "eventless" and the occasional growling vocals are uncalled for in my opinion. The folk elements are implemented very nicely, but in the heavy parts the drums are often a bit out of sync with the rest of the band.

Agalloch's first full-length album Pale Folklore, often underlooked even by the band's most hardcore followers, is more than just an outstanding debut. Utilizing influences from various sources, from 80's Gothic Rock to Ethnic Folk music, from Italian 70's Symphonic Prog to Norwegian 90's Black Metal's scene, and much much more, Agalloch managed to create a unique, extraordinary style of their own, achieving something nobody had achieved before. Opeth are famous(well, in our circles anyway)for combining two parts - mellow and heavy - to create a very special sound. Agalloch, whose influences were as diverse as Opeth's, from the fusion of all elements gained one sound that is very easy to recognise if you have experienced this amazing band.

The album starts with the atmospheric She Painted Fire Across The ... -> show full review